Psychology of Internet music piracy

September 9th, 2007 by Nico Ramon

Here is something that escapes my mind: there are many studies concerning how music piracy impacts on the record sales, music industry and economy, but only a few researches about why people engage in the piracy behavior. Why? For example every year International Federation of the Phonographic Industry releases a commercial piracy report that shows piracy statistics, distinguishes problem countries with high level of piracy and explains how these figures affect negatively on the music industry, but there is only little discussion about the reasons that lead to the current state of piracy. It is crucial to study the motives of people when they engage in the piracy behavior. This way we might understand the issue better and influence it much more effectively.

In general music piracy’s roots are strong in the past when music industry was fighting against cassette pirates and bootleggers. The problem was that it was too easy and tempting to copy a cassette tape, because there was practically nobody to monitor this activity. However, the quality of the recording always suffered when duplicated and that led many people to rather buy the original recording than to get a lower quality copy from a friend. Today that is no longer a problem for the music pirates because of compact disc recorders and digital audio files. It is common knowledge that piracy is illegal and unethical, but when there is no one to stop you, why not to do it. Legislation is probably the most effective tool against piracy, but the enforcement of the legislation varies greatly from country to country. For example, in Finland the chances of being prosecuted of downloading music illegally are almost the same as winning in the lottery.

It is hard for people to consider piracy as a real threat, because you can’t see the Internet pirates actually stealing anything tangible. Downloading an album is different from shoplifting, because online digital copies are “non-rivalrous” goods. Even after someone downloads an illegal copy of an album, a copy remains on the original sharer’s computer, and it also remains on the self of the record store. For example, downloading illegally a movie is considered rather as a prank than a crime. A study called Fake Nation, conducted by Dr. Jo Bryce of the University of Central Lancashire and Dr. Jason Rutter of the University of Manchester, was commissioned to find out if the anti-piracy message was having an impact on people’s attitudes. Dr. Jo Bryce states: “The purchase of counterfeit goods or illegal downloading are seen as normal leisure practices.” People don’t see piracy as a theft, yet. “They just see it as inevitable, particularly as new technologies become available.” The biggest problem, according to Bryce, is that although consumers are aware of the scale of the problem and cost they don’t take industry concerns or government messages into too much consideration.

Internet music piracy is getting more and more popular due to variety of factors. The new generation music listeners are all in for Internet and the concept of CD is losing interest. Peer-to-peer networks and BitTorrent websites only encourage people to engage in the piracy behavior and usually the pirates do the downloading from the safe surroundings of their own home, which alone is a major factor that definitely contributes positively to piracy. These p2p networks and BitTorrent websites can also be considered as Internet stores that are giving stuff for free and when you get it for free there is no reason to go and buy the stuff from stores. It does not matter if you are rich or poor, the fact that it is free appeals to almost anyone. Sharing music has always been part of social bonding, but now with the Internet the measures are surreal. People are sharing music with everyone, who has access to Internet, instead of just friends and family. Overall there are much more of those factors that affect positively to the piracy behavior than those factors that affect negatively.


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5 Responses to “Psychology of Internet music piracy”

  1. It doesn’t change your point at all, Nico, but one thing to consider - You noted “it is common knowledge that piracy is illegal and unethical,” but at least among younger folk, that’s not the case: http://broadcastengineering.co....._20060818/

    I almost feel sorry for the major labels. (Almost.) From their perspective, it makes to frame the debate in terms of piracy, because of all the attendant images that puts in peoples’ minds. But the truth is they’re fighting something MUCH less well defined… I can’t imagine Blackbeard ever thought it was legal to pillage a merchant ship. Yet that’s effectively what the RIAA and IFPI face today, with the would-be pirates completely ignorant to the fact that they’re breaking the law.

    Cheers!

  2. Des, you make a very good point. Although it surprises me a bit that many people think music piracy as being legal, in most cases I can understand it. In more corrupted countries it is part of the culture and even in less corrupted countries the consequences for illegal downloading are basically non-existent. In todays cyberculture the environment is more favorable towards downloading music illegally than downloading music legally. For example, downloading songs through illegal networks is easier, faster and less complicated than downloading songs from legal networks (no payment, no hassle with credit cards).

  3. Yeah but no but yeah … I am constantly downloading illegally from the internet, but with the intent of reimbursing the artists.If you have certain tastes in music, often illegal downloads are a great way of discovering new music. For example, I only heard of M.I.A in passing before, but when an mp3 blog posted 2 songs from the new album Kala pre-release, I downloaded them, loved them and then bought the album. The technology at the moment also means that it’s a lot easier to save music. Like if an artist does a live set on the radio you can stream it on the internet and rip it with Audacity & save it. It’s about one-upmanship if anything - seeing who has the best track or unofficial remix.
    And another thing - iTunes mp3s are unbelievably annoying with their draconian copy protection meaning you can’t put it on a mobile phone.

  4. I believe in the free sharing of virtual information, because technically, information should be shared and used freely, as long as one aknowledges its source.
    Anyway, that’s what has permitted the development of universities for the past 7 or 8 centuries. It is shown today by the increasingly important success of open source softwares in all domains.
    Money should be made by other means than by selling information - why not derived products, maybe publicity, knowhow, or services, or whatever…?

    Also, in my opinion, real performance here and now is an experience that cannot be alienated or pirated by others.
    But as long as people confuse what’s live and what’s recorded, it will encourage abuse by record companies and pirates alike.

    Dadi

  5. People will always have a piracy music, because the like it. and they don’t like to spend money…

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